** Single print order can either print or save as PDF. If the icon is greyed then these notes can not be transposed. Please check "notes" icon for transpose options. * Where transpose of Dancing In The Moonlight sheet music available ( not all our notes can be transposed) & prior to print. Be careful to transpose first then print (or save as PDF). If your desired notes are transposable, you will be able to transpose them after purchase. If you selected -1 Semitone for score originally in C, transposition into B would be made. This means if the composers started the song in original key of the score is C, 1 Semitone means transposition into C#. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. You can do this by checking the bottom of the viewer where a "notes" icon is presented. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. If not, the notes icon will remain grayed. However, compared to Jailbreak (not produced by Tony Visconti), Bad Reputation sounds quite good. If transposition is available, then various semitones transposition options will appear. Fair enough but JtF is one of the finest sounding hard rock albums of all time, not to mention my personal Thin Lizzy favorite. In order to transpose click the "notes" icon at the bottom of the viewer. After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. This week we are giving away Michael Buble 'It's a Wonderful Day' score completely free. The story of Thin Lizzy's classic Live And Dangerous album is told in the new issue of Classic Rock, which is out now. I guess he was right about that arrangement… though my way would have been just as cool.” It’s a song that taps into the idea that everyone has of Phil – this romantic, cocky character – and it’s come to be a definitive Lizzy song. “The first time we played it you could see everyone singing along, so we knew it had connected. “It’s definitely one of our coolest songs,” says Gorham. It would become a high point of the band’s live set, immortalised the following year on the magnificent Live And Dangerous album, and remains central to the Thin Lizzy live experience almost four decades on. “Thankfully they absolutely loved it.”Ī Top 20 hit in the UK, Dancing In The Moonlight helped propel its parent album to No.4 in the UK (their highest placing to date) and put them back in the US Top 40. “It seemed like a big gamble, and we did wonder what the fans were going to think, because it was way different from anything else that we’d brought out,” says Gorham. The producer’s stroke of genius was to bring in Supertramp saxophonist John Helliwell to provide the irresistible melodic counterpoint to Lynott’s breezy vocal.ĭropped into radio playlists at the height of punk rock in the summer of ’77, (as a double A-side seven inch backed with the album’s title track), Dancing In The Moonlight carried a twinkling sense of nostalgia, playfulness and innocence gleefully out of step with the times. I said: ‘Okay, I’ll go with your way, you’ve been right in the past.’”ĭespite initial concerns about working without his long-time foil Robertson, Gorham adapted quickly and thrived, his West Coast harmonic sensibilities bringing a lightness of touch to Lynott’s new composition, adding colour and shade without ever threatening to overpower the central bass riff. But he was pretty adamant that the way he was presenting it was the most commercial approach. I like that.’ I had another groove in my head that was different than the way he was presenting it – mine was tougher, whereas his was more ‘skippy’. “Phil said: ‘I’ve got this kinda groove… What do you think?’” says Gorham. “And by the way, that’s the single – Dancing In The Moonlight.”Ī jazzy, swinging, finger-snapping tale of teenage romance on the streets of South Dublin, the centrepiece of what became the Bad Reputation album was initially presented to Scott Gorham and drummer Brian Downey as just a simple bass line, Gorham recalls. Free, curated and guaranteed quality with ukulele chord diagrams, transposer and auto. “It’s a great record, it’s fantastic,” said O’Donnell. Ukulele chords and tabs for Dancing in the Moonlight by Thin Lizzy. The manager duly flew to Toronto to salvage the situation and to convince all involved that they were working on something special. One week into the recording, it appeared that Lizzy might not just be down a guitar player, but also a producer, when Visconti threatened to leave the session, telling O’Donnell: “I can’t work with these guys.
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